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By Stephen Watt

Difficult analogies among Irish and Jewish heritage, among Irish and Jewish subjectivities, happen with superb frequency all through American literature. They bear in mind James Joyce's Leopold Bloom and episodes of Ulysses, Douglas Hyde's analogies through the Celtic Revival among studying Hebrew and studying Irish, and a myriad of claims of an strange courting among those peoples that is going past comparisons in their respective diasporic histories. yet how does one describe this uncanny dating, one frequently marked via hostility, affinity, and ambivalence, with no essentializing humans whose origins, classification association, educations, existence reports, and so forth are significantly different?

"Something Dreadful and Grand": American Literature and the Irish-Jewish Unconscious describes a posh allosemitism and allohibernianism via quite a few cultural texts with which immigrant Irish and Jewish americans have been so much engaged: well known song of the Tin Pan Alley period, tenement literature from Anzia Yezierska and James T. Farrell during the posthumous e-book of Henry Roth's An American Type, and proletarian and socialist-inflected drama through Elmer Rice, Clifford Odets, Eugene O'Neill, and Arthur Miller as they engaged the Irish drama of such writers as Bernard Shaw and Sean O'Casey. so as to hint either the family tree and newer trajectory of immigrant drama and fiction, chapters discover either the post-Famine melodramatic level of the 19th century and a bunch of extra modern texts from more moderen generations of immigrants. all through, the booklet argues for a "circum-North Atlantic" tradition during which texts from eire, Britain, Irish the USA, and Jewish the USA give a contribution considerably to either a contemporary American literature and to understandings of the phrases "Irish" and "Jewish."

How do we rather be aware of what those phrases suggest as they delimit or erase completely the diversities inherent to them? Borrowing a time period from psychoanalytic and political thought, "Something Dreadful and Grand" explores the bigger dimensions of this Irish-Jewish subconscious underlying cultural creation in the USA, arguing for the centrality of those diasporic teams to the improvement of yank well known track, fiction, and particularly drama.

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