By Edward J. Hughes
Hughes explores how cultural facilities require the peripheral, the outlawed, and the deviant for you to outline and bolster themselves. He analyzes the hierarchies of cultural worth that tell the paintings of six sleek French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts eu fantasies approximately Polynesia; Proust, who analyzes such exemplary figures of exclusion and inclusion because the gay and the xenophobe; Montherlant; Camus, who pleads an alienating detachment from the cultures of either metropolitan France and Algeria; and Jean Genet.
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Extra info for Writing Marginality in Modern French Literature: From Loti to Genet (Cambridge Studies in French) by Hughes, Edward J. (2001) Hardcover
