By Andrew Epstein
Even though it has lengthy been average to visualize the archetypal American poet making a song a solitary "Song of Myself," a lot of the main enduring American poetry has really been preoccupied with the drama of friendship. during this lucid and soaking up learn, Andrew Epstein argues that an obsession with either the pleasures and difficulties of friendship erupts within the "New American Poetry" that emerges after the second one international warfare. through targeting essentially the most major postmodernist American poets--the "New York college" poets John Ashbery, Frank O'Hara, and their shut modern Amiri Baraka--Beautiful Enemies finds a basic paradox on the middle of postwar American poetry and tradition: the avant-garde's dedication to individualism and nonconformity runs at once counter to its personal valorization of group and collaboration. in truth, Epstein demonstrates that the conflict among friendship and nonconformity complicates the mythical alliances cast by way of postwar poets, turns into a essential subject within the poetry they created, and leaves modern writers with a classy legacy to barter. instead of easily celebrating friendship and poetic neighborhood as nurturing and encouraging, those poets symbolize friendship as a type of exhilarating, maddening contradiction, a website of allure and repulsion, affinity and rivalry.
demanding either the reductive reviews of yank individualism and the idealized, seriously biographical celebrations of literary camaraderie one reveals in a lot serious dialogue, this booklet offers a brand new interpretation of the strange dynamics of yank avant-garde poetic groups and the function of the person inside them. via situating his broad and revealing readings of those hugely influential poets opposed to the backdrop of chilly battle cultural politics and in the context of yank pragmatist suggestion, Epstein uncovers the collision among radical self-reliance and the siren name of the interpersonal on the center of postwar American poetry.
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